Is poetry condensed prose?
Is prose expanded poetry?
I wonder if these are fair
questions at all. Sometimes it appears what prose cannot express in reams poetry does in a page. Sometimes one feels poetry
needs explanation which only prose can provide. Sometimes some poetry appears prose only using the poetic idiom. Sometimes
we find some prose moving with the liquid grace of poetry.
For me, however,
poetry is about pain and longing. Poetry is about introversion and contemplation. Poetry is about misting of the eyes and
a tug at the heart. Poetry is about excavating the depths of consciousness and revealing the scalds there. Poetry is about
the joys and vicissitudes of living. Poetry is about perceptions woven into symbols
and expressed through the elegance of language.
Metre and rhyme have meaning
only in so far as they facilitate these. They are embellishments to be used carefully. In an already beautiful lady the line
where elegance transgresses into loudness is very thin. Too much ornamentation only jars.
I wonder if the prose medium
can ever match the undulating grace and flow of poetry.
Having said all this, however,
let us note that poetry is in no competition with anyone. Neither, I suppose, is prose.
Enough of this
analysis for the present. A poet should make his point in a few words. And mine are coming to an end here. The few poems that
follow should make the rest of them.
Ajai Singh
...........................................................................
14 Aug 2005
What is all this about
Some primordial
stirrings
that
characterized
awakened
adolescence
tender and sprouting
and
some
frenzied outpourings
that italicized adulthood
strapping, but strangely
vulnerable.
And both
stirred in the cauldron of
time.
The
grotesque weaves into the sublime
and flows
through greasy bye lanes
of
desire
and opens into
rivulets of
unrequited enchantment
shimmering through
the leaves of a memory tree.
The prism of middle age
refracts
and
deflects the outpourings
true,
but
allows them
to filter through
nonetheless.
Thank God for that.
Come,
rest in its lap, my friend
for a moment
just a moment.
Maybe it may stretch itself.
Maybe it may open its arms
and cuddle you to its racing
heart.
Just maybe.
Sometime in 1974
A Case of Identity
Tonight at a classical dance recital
symbolizing the eternal quest of the soul-force for God
I too raised for myself some questions
As I saw the dancer adopt body twisted
beautifully gymnastic postures
like a question mark put
before me
- who am I?
Am I the inquisitive streetwalker listening at pavements
to snake charmers’ aphrodisiac calls,
watching indolently as the fast cycling rogue
whirling past, knocks her off, squeezes her breasts,
makes off
and leaves me to pacify her smothered adolescence.
Or am I the automaton
That hangs on to footboards
and breezes past in fast trains
every morning and evening
the only sensation left in
me being in my hands
holding on for dear life,
and in my lips
wolf whistling as I swirl
past platforms.
Or just the nimble fingers
typing away at jet-speed,
taking down bosses’ notes, thumbing
across wads of money,
hand shaking
with prospective
customers.
Or just tongues, tongues
and more tongues
with mounds and mounds of sugar and ghee and adulterated oils
pouring it all into unknowing ears
furthering business prospects
and fattening on pure ghee,
purity of expression, conscience.
So that I can decorate my
drawing room with costly paintings and upholstery
watch expensive dance recitals
and answer question
marks once in a while.
(Published in MSM Poems, Mens Sana MonographsVol III-1, IV-1-4, Mar-Dec 2006, p208-209.)
...........................................................................................................................
19-3-1974
Oft-repeated
It was the same grey
impassivity of a telephone receiver
and a fingerless fallen hand
that had clinched it
for me before
and zoomed the heights
of phantasmagoria.
The length of my fingers
intertwined into nothingness
as palm clung to palm
and the index finger
sought every fibre of your body
to be well imprinted,
logically catalogued,
tearing and slashing,
knifing through all the touch points
lacerating bluntness with fingernails
dripping
blue blood
as it gushed through
all your wounds.
Wonder the fate of
the wayside pebble
small faced,
eager, impulsive, vibrant
Catapulted by trigger
happy palms to sky-rocketing aspirations
tearing through the
wide blue belly of the sky
to fall with a thud
into the mire and muck
making a dent for itself
in the groin of oblivion.
Therein lie the fruits,
my salvation.
These same fingerless
hands hung on
to
the impassivity that stood between us
united us and yet separated
us.
Taught us impersonal
lovemaking, objective subjectivity
visionary sweet nothings,
words torpedoing regards
and sinking them
in the quagmire of gesticulated arms to nonexistent audience.
Relishing this oft-repeated
show of self-deception.
..........................................................................................
30-8-2005
Silences
Indeed.
Silences
Allow whispers to
Travel long distances.
And
Whispers
Make silences
Come to life.
And
Life itself
Is a
Whisper
Between
Two silences.
(Published in MSM Poems, Mens Sana Monographs,
Vol III-4-5, Nov 2005-Feb 2006, p53.)
........................................................................................................................
31-8-2005/6.30 a.m.
Perpetual
Some people
are
members
of a
perpetual opposition party.
Some others
remain perpetually close
to a
ruling one.
Only a few
in opposition of both
are party to
any ruling
that is truly perpetual.
Are you?
.............................................................................................................
Sometime in 1991
A Modern Panchatantra Tale
(In
the Panchtantra, three princes take their lessons in statecraft and pursuit of knowledge from a preceptor Vishnusharman
by studying the behaviour of animals. A modern Panchtantra may or may not get written. But the animals are there all
right. And being modern, it cannot do without the character, Man, in whom modernity and animality blend so perfectly.)
5-9-2005
Formal frills
How stiff and formal
The ‘Dr. Ajai Singh’ appears.
Like a starched collar
It seems essential
To keep up appearances
But it hurts.
‘Ajai’
shorn of the frills
is a breezy T-shirt
and
another advantage
one without a collar
so
the neck is free
and
the informality of
the dress
has
at least a chance
to rub off on the psyche.